A place to find out about Elysabeth, her family, life and her writings. Somewhere to find about all her stories to include her short stories - "Train of Clues" (a mystery destination story, shared second place), "The Tulip Kiss" (first place), "The Proposal" (second place), "Bride-and-Seek", "Butterfly Halves" (runner up), "La Cave", "Zombies Amuck" (second place), and her novels Finally Home (a NaNoWriMo story), and Imogene: Innocense Lost.
Showing posts with label 2012-2013 school year. Show all posts
Showing posts with label 2012-2013 school year. Show all posts
Wednesday, September 26, 2012
WWYWWQ #4 2012-13 SY
Last week's question was on onomatopoeia and how to "write them," which actually was a repeat from one of my very first WWYWWQ postings (see January 11, 2012, for the first posting and September 16, 2012, for the second one).
Today's question is actually from a student in Mr. Hughes' 5th grade writing class.
Last week we were working on paragraphing and when you start a new paragraph. The student, Rebecca S., was being shown by Mr. Hughes about where to put paragraphs and she had an onomatopoeia for an alarm clock.
So the question actually is do you put onomatopoeia as separate paragraphs?
My answer in this case is that since Beep. Beep. Beep. was a complete thought (she is basically making the alarm clock an animated object by expressing the sound it was making) that it would be a separate paragraph.
Her sentence read something like this: (this is paraphrased as I don't have a copy of the paper to show where she should paragraph)
It was a bright, sunny day in March. I was sleeping soundly. Beep. Beep. Beep. Stupid alarm clock waking me from a good sleep.
In reality, each sentence (the Beep, beep, beeps are one sentence even though there are three of them but they are the same idea/concept) should be its own paragraph and should be written like this:
It was a bright, sunny day in March. I was sleeping soundly.
Beep. Beep. Beep.
Stupid alarm clock waking me from a good sleep.
I hope this clears things up. Have a great week, see you all in the postings - Mrs. E :)
Wednesday, September 19, 2012
WWYWWQ #3 2012-13 SY
This week's question actually comes from Mr. Hughes during his 4th grade writing class (we just finished in there a few minutes ago, which is why the lateness of this posting), and in reality, it was I who asked the question.
So the question is this: How do you write onomatopoeia - italicize, all caps, in quotes?
The answer isn't a straightforward one and there are different views on which is the right to use. The best answers I found were on this site.
If you are using the sound word like someone is speaking it, it would go in quotes - like today being Talk Like A Pirate Day, you would hear a lot of "Arrrgggg" sounds. If you are just writing the sound words in the sentence, you would just write them and let the context speak for itself. If you are using onomatopoeia words at the beginning of the sentences, depending on the nature of the sound, all caps or italicized would be the correct way to do so.
I start the story "The Proposal" with onomatopoeia - Ribbet. Ribbet. Ribbet. and in doing so, the words themselves are just italicized. If I were using "ribbet" in the sentence, I probably would have just written it something like this: The ribbeting was disturbing to Stella being in a fancy French restaurant and knowing they served frogs' legs. "No, they wouldn't kill the frogs on site," Stella thought as she tried to enjoy the company of her boyfriend, Henry.
I think the biggest thing is to be consistent and make sure you stay true to your writing.
If I were using a "power" onomatopoeia word like "pow", "pop" or some other very visual word at the beginning, I probably would capitalize and italicize. I would start my sentence with POW OR BAM or whatever word I was using. I think this is more for emphasis rather than trying to sway from the norm.
Onomatopoeia are great for use in graphic novels or comic books but should be limited when writing prose because you don't want to turn your readers away. Use in moderation as with everything else.
Hope this helps, Mr. Hughes. See you in class and remember I'm in need of questions for future postings, so keep them coming if you have them. This is an open invitation to all teachers who teach writing class in 3rd through 12th grades. Thanks - see you all in the postings - Mrs. E :)
Wednesday, September 05, 2012
WWYWWQ #1 2012-2013 School Year
As many of you know, this past January, I started my Wednesdays Weekly Young Writers Writing Questions postings, trying to gather as many writing questions from the classes I've worked with in the first part of the school year and answer those questions on my blog. Some of the questions have required a little research and some have been general knowledge to most writers.
It's that time of year to get started on the WWYWWQ postings.
The first posting comes from one of Mr. Hughes' classes (he is teaching 4th, 5th and 6th grade writing classes this year) as well as a subsequent posting on my friend Faye Tollison's blog.
I'm sorry I don't remember which student asked the question or whether it was from the 4th, 5th or 6th grade, but credit does go to one of those classes for this question: How do you know when to end the story? or basically how long should a story be?
My answer to the class and students was - A writer ends the story when the story is finished. It could be 10 pages or 100, but only when the story is completed should you decide how long it will be. Ther are always exceptions to this but if you haven't answered the question posed by your story, then it isn't long enough or completed.
Ms. Faye poses on her blog the question of where a story should start - At the Beginning. Reading her posting, after the original student question had been posted, gave me the idea to combine the two.
Where exactly does a story start? According to most sources on the craft of writing, one never really starts at the very beginning as that is backstory - the story behind the story, building your characters up and breathing life int them. One should start in a crucial point in the story and weave all the backstory in throughout in bits and pieces as the story progresses.
An example from my own writing is Imogene: Innocense Lost. The backstory starts in 1945, the birth of Sarah Beth (Imogene's mother), at the very end of World War II. That isn't where my story starts though. My story actually starts in 1980 and then shows you what happened between 1970 and 1980, while finding out why 1945 is so crucial to the storyline as well. The premise for the story is that Sarah Beth (mother) and family, which includes Imogene, take a vacation to China (still have to decide which country in China or city to use specifically) in 1970. While there on vacation, Imogene is kidnapped. Sarah Beth and her husband search for a long time before finally returning home to the United States but make the trip over the 10 years searching for their lost daughter. Sarah Beth won't give up and at the 10 year mark, she makes her final trip, alone, leaving her husband and son at home in Washington to search for Imogene. The year 1980 is crucial to the story ecause in 1981, the United States passport laws changed. Imogene being 15 in 1980 makes it the last year for Sarah Beth to find her and get her out of China on the passport she has from their original trip since Imogene was only 5 at the time and was on her mother's passport. (In 1981, the government stated that all children would have their own passports with a guardian (parent or otherwise) signing them; and at the age of 15, they had their own passports with the child signing them.) So Sarah Beth has roots in China (the hint to 1945) and only finds out on this final trip in search for her daughter.
I don't start the story in 1945, rather June of 1980. As for how long it will be, there is no telling as I've only written 3 pages and a few scenes for a total of five pages so far. Nothing substantial except a killer hook paragraph.
This story is inspired by some pictures on this website (pictures 23 (this is link between Sarah Beth and her daughter), 38 (this is the start of the story) 10 (this just reminded me of a shop in China that carry things like mood enhancing powders or strength enhancements), 20 (this is the wall where the hidden city is), and 41 (this seemed like the fencing around the shopowner's home - and as the story progresses, you'll find out who the shopowner is)), and I even printed out the photos and pasted them on a sheet with a tentative outline. This story will be less dialogue than any of my oter stories as it is a personal quest and Sarah Beth has very little interaction with other folks. Truth be told, I don't really know if I have it in me to really write this story, but I'm going to try.
So where does your story start and how long should it be? Start at the turning point in the story and write until the question posed by the backstory has been answered and the story is completed.
More questions to come - ya'll keep on writing until you have completed the story. See you in the postings - Mrs. E :)
It's that time of year to get started on the WWYWWQ postings.
The first posting comes from one of Mr. Hughes' classes (he is teaching 4th, 5th and 6th grade writing classes this year) as well as a subsequent posting on my friend Faye Tollison's blog.
I'm sorry I don't remember which student asked the question or whether it was from the 4th, 5th or 6th grade, but credit does go to one of those classes for this question: How do you know when to end the story? or basically how long should a story be?
My answer to the class and students was - A writer ends the story when the story is finished. It could be 10 pages or 100, but only when the story is completed should you decide how long it will be. Ther are always exceptions to this but if you haven't answered the question posed by your story, then it isn't long enough or completed.
Ms. Faye poses on her blog the question of where a story should start - At the Beginning. Reading her posting, after the original student question had been posted, gave me the idea to combine the two.
Where exactly does a story start? According to most sources on the craft of writing, one never really starts at the very beginning as that is backstory - the story behind the story, building your characters up and breathing life int them. One should start in a crucial point in the story and weave all the backstory in throughout in bits and pieces as the story progresses.
An example from my own writing is Imogene: Innocense Lost. The backstory starts in 1945, the birth of Sarah Beth (Imogene's mother), at the very end of World War II. That isn't where my story starts though. My story actually starts in 1980 and then shows you what happened between 1970 and 1980, while finding out why 1945 is so crucial to the storyline as well. The premise for the story is that Sarah Beth (mother) and family, which includes Imogene, take a vacation to China (still have to decide which country in China or city to use specifically) in 1970. While there on vacation, Imogene is kidnapped. Sarah Beth and her husband search for a long time before finally returning home to the United States but make the trip over the 10 years searching for their lost daughter. Sarah Beth won't give up and at the 10 year mark, she makes her final trip, alone, leaving her husband and son at home in Washington to search for Imogene. The year 1980 is crucial to the story ecause in 1981, the United States passport laws changed. Imogene being 15 in 1980 makes it the last year for Sarah Beth to find her and get her out of China on the passport she has from their original trip since Imogene was only 5 at the time and was on her mother's passport. (In 1981, the government stated that all children would have their own passports with a guardian (parent or otherwise) signing them; and at the age of 15, they had their own passports with the child signing them.) So Sarah Beth has roots in China (the hint to 1945) and only finds out on this final trip in search for her daughter.
I don't start the story in 1945, rather June of 1980. As for how long it will be, there is no telling as I've only written 3 pages and a few scenes for a total of five pages so far. Nothing substantial except a killer hook paragraph.
This story is inspired by some pictures on this website (pictures 23 (this is link between Sarah Beth and her daughter), 38 (this is the start of the story) 10 (this just reminded me of a shop in China that carry things like mood enhancing powders or strength enhancements), 20 (this is the wall where the hidden city is), and 41 (this seemed like the fencing around the shopowner's home - and as the story progresses, you'll find out who the shopowner is)), and I even printed out the photos and pasted them on a sheet with a tentative outline. This story will be less dialogue than any of my oter stories as it is a personal quest and Sarah Beth has very little interaction with other folks. Truth be told, I don't really know if I have it in me to really write this story, but I'm going to try.
So where does your story start and how long should it be? Start at the turning point in the story and write until the question posed by the backstory has been answered and the story is completed.
More questions to come - ya'll keep on writing until you have completed the story. See you in the postings - Mrs. E :)
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